First off, sorry for the book I'm about to post but I'm really trying to find out some solid info on the FX loop in my MKIII JCM 900 2501 combo. After scouring the manual, this forum and the internet in general, I have found all sorts of contradictory information.
However, the consensus (and the manual) seems to suggest that it is a serial loop. There is a recessed trim pot for fx level. Set to low is for stompboxes. Set to high for rack gear.
I'll post my experience using the amp to give you an idea of how I use it and the issues I've run into.
Real pedalboard:
This board is all boss pedals with the exception of an EQD ghost echo. I notice that there is a faint crackle or static as the notes "bloom". Not overwhelming but it's there and once I heard it I can't un hear it. It is less noticeable the lower the pot is set but never goes away.
I've also noticed that the tone of the amp itself sounds much better with the trim pot set from halfway up to all the way up.. More gain, more bass, fuller sound in general. With the trim pot set to low the amp sounds brittle and sterile whether the pedals are on or not.
Line 6 HD500 PRO X
I have this set up in the 4 cable method. I'm using the HD500 as a preamp/multifx. Aside from the the FX, it gives me the ability to switch in a clean preamp and a Mesa style high gain preamp. With my actual JCM 900 preamp providing the classic to hard rock sounds.
With this setup I have the loop on the JCM 900 set to high and the relevant switches at the back of the HD500 (loop and output) set to line level. I have zero issues. The amp sounds great and the faint static is gone.
I have noticed that if I set either the loop on the JCM 900 to low or the switches on the pod to "stomp" the JCM 900 preamp becomes much louder than the preamps and fx in the HD500. Seems with everything set to line its perfect.
Questions
I'd really like to know if the FX loop was really designed for rack gear like I have read on forums? Seems from my experience that it is.
Considering that it works perfectly with the HD500 and I have issues with real pedals, I can assume my loop is functioning properly and bad fx loop jack's are not the culprit.
Could the faint static or crackle I hear be the pedals overloading the fx loop?
Is there a reason that the amp sounds considerably better with the loop set to high?
Even if turning the trim pot down to low solved the static issue I still wouldn't use the real pedalboard because the amp iself sounds considerably worse in that setting.
My particular amp isnt that common but If there is anyone that can shed some light on the design of the loop in the JCM 900 line (assuming that the SL-X, DR and MKIII all have the same loop) I'd really appreciate any info I can get.
However, the consensus (and the manual) seems to suggest that it is a serial loop. There is a recessed trim pot for fx level. Set to low is for stompboxes. Set to high for rack gear.
I'll post my experience using the amp to give you an idea of how I use it and the issues I've run into.
Real pedalboard:
This board is all boss pedals with the exception of an EQD ghost echo. I notice that there is a faint crackle or static as the notes "bloom". Not overwhelming but it's there and once I heard it I can't un hear it. It is less noticeable the lower the pot is set but never goes away.
I've also noticed that the tone of the amp itself sounds much better with the trim pot set from halfway up to all the way up.. More gain, more bass, fuller sound in general. With the trim pot set to low the amp sounds brittle and sterile whether the pedals are on or not.
Line 6 HD500 PRO X
I have this set up in the 4 cable method. I'm using the HD500 as a preamp/multifx. Aside from the the FX, it gives me the ability to switch in a clean preamp and a Mesa style high gain preamp. With my actual JCM 900 preamp providing the classic to hard rock sounds.
With this setup I have the loop on the JCM 900 set to high and the relevant switches at the back of the HD500 (loop and output) set to line level. I have zero issues. The amp sounds great and the faint static is gone.
I have noticed that if I set either the loop on the JCM 900 to low or the switches on the pod to "stomp" the JCM 900 preamp becomes much louder than the preamps and fx in the HD500. Seems with everything set to line its perfect.
Questions
I'd really like to know if the FX loop was really designed for rack gear like I have read on forums? Seems from my experience that it is.
Considering that it works perfectly with the HD500 and I have issues with real pedals, I can assume my loop is functioning properly and bad fx loop jack's are not the culprit.
Could the faint static or crackle I hear be the pedals overloading the fx loop?
Is there a reason that the amp sounds considerably better with the loop set to high?
Even if turning the trim pot down to low solved the static issue I still wouldn't use the real pedalboard because the amp iself sounds considerably worse in that setting.
My particular amp isnt that common but If there is anyone that can shed some light on the design of the loop in the JCM 900 line (assuming that the SL-X, DR and MKIII all have the same loop) I'd really appreciate any info I can get.
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