ELS
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- Feb 7, 2021
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I was researching the bassman when I thought I didn't really have it sounding how I thought it needed to sound.
and realized, in some amps the plate wires on the output tubes are connected backwards, but the output connections stay the same.
particularly in Johan Segeborn's video:
here's some screenshots:
You can see that the brown wire connects to the top tube (from this perspective) and blue wire to the bottom tube.
and the grid wires dont seem to be flipped because you can see that the red wire goes to the bottom tube, and the 'not red' wire goes to the top.
here's the layout:
you see that the only thing that seems to be backwards is the plate wires, which would make the amp have positive feedback instead of negative.
and the output connections arent flipped either, you can see here:
they are correct.
other than that the amp is exactly to spec (to the reissue spec, not the original schematic which isnt correct for most bassmans)
Johans video that is here:
at 1:30 you can see the output speaker connections and right after the output connections.
now, yes the amp is much more unstable with positive feedback, when I connected the amp to a speaker it oscillated badly, only could play it with prescence on max (which would reduce positive feedback in higher frequencies), and even then it oscillated at low frequencies sometimes.
But, connecting the amp to a dummy load, it worked fine.
I started wondering maybe my speaker is mostly to blame, since 1. it's 12 ohms, not 8 (dummy load is 8 as it should be), and 2. it's not the same speaker as the bassman.
so I used amplitube's speaker/cabinet sims after the dummy load and recorded some samples (excuse my guitar playing
)
With positive feedback it definetly has more gain, as you'd expect. but idk if it sounded better, in certain ways I though it did, but I felt it lacked the bassman's "thonkyness", didn't have the bite. when I played the riff for the negative feedback configuration I couldn't stop playing even (so many hours of riffin' I cut out)
but with positive feedback I didn't feel the same addicting force.
positive feedback did feel 'lighter' on the playing tho, while negative felt tougher to play with.
idk, what do you think about this?
I also researched specs on the output transformer, but the best I could find is DC resistance readings,
49 ohms to blue, 42 to red (or brown most likely)
if the amp was wired according to the layout, the higher resistance winding would be connected to the 100k plate resistor side of the phase inverter
and other to the input side (82k plate resistor)
but ofc if the plate wires are reversed, it would be the other way around.
this in theory should form mismatched frequency response from output tube to output tube, especially after you consider that the 100k side of the PI has a hotter output signal...
but I don't haven't tested what impact does this have, but wanted to point that out anyway.
my setup was:
Les Paul with EMG F-H2A bridge pickup, straight into bassman-esc amplifier, with the preamp more like a blackface fender.
into an 8 ohm dummy load, Bass on 2, Middle on 8, Treble and Volume all max (10)
and realized, in some amps the plate wires on the output tubes are connected backwards, but the output connections stay the same.
particularly in Johan Segeborn's video:
here's some screenshots:

You can see that the brown wire connects to the top tube (from this perspective) and blue wire to the bottom tube.
and the grid wires dont seem to be flipped because you can see that the red wire goes to the bottom tube, and the 'not red' wire goes to the top.
here's the layout:

you see that the only thing that seems to be backwards is the plate wires, which would make the amp have positive feedback instead of negative.
and the output connections arent flipped either, you can see here:

they are correct.
other than that the amp is exactly to spec (to the reissue spec, not the original schematic which isnt correct for most bassmans)
Johans video that is here:
at 1:30 you can see the output speaker connections and right after the output connections.
now, yes the amp is much more unstable with positive feedback, when I connected the amp to a speaker it oscillated badly, only could play it with prescence on max (which would reduce positive feedback in higher frequencies), and even then it oscillated at low frequencies sometimes.
But, connecting the amp to a dummy load, it worked fine.
I started wondering maybe my speaker is mostly to blame, since 1. it's 12 ohms, not 8 (dummy load is 8 as it should be), and 2. it's not the same speaker as the bassman.
so I used amplitube's speaker/cabinet sims after the dummy load and recorded some samples (excuse my guitar playing

With positive feedback it definetly has more gain, as you'd expect. but idk if it sounded better, in certain ways I though it did, but I felt it lacked the bassman's "thonkyness", didn't have the bite. when I played the riff for the negative feedback configuration I couldn't stop playing even (so many hours of riffin' I cut out)

but with positive feedback I didn't feel the same addicting force.
positive feedback did feel 'lighter' on the playing tho, while negative felt tougher to play with.
idk, what do you think about this?
I also researched specs on the output transformer, but the best I could find is DC resistance readings,
49 ohms to blue, 42 to red (or brown most likely)

if the amp was wired according to the layout, the higher resistance winding would be connected to the 100k plate resistor side of the phase inverter
and other to the input side (82k plate resistor)
but ofc if the plate wires are reversed, it would be the other way around.
this in theory should form mismatched frequency response from output tube to output tube, especially after you consider that the 100k side of the PI has a hotter output signal...
but I don't haven't tested what impact does this have, but wanted to point that out anyway.
my setup was:
Les Paul with EMG F-H2A bridge pickup, straight into bassman-esc amplifier, with the preamp more like a blackface fender.
into an 8 ohm dummy load, Bass on 2, Middle on 8, Treble and Volume all max (10)