I like the GT mullard replicas everywhere. In my experience not the most reliable -I've killed 3 so far - but nothing else gives my amps that mojo. Thick and crunchy.
It's true that a 40CR is more compressed-sounding than a lot of amps but that's partly what makes it work well at low volumes. There's enough adjustment to keep it to a minimum. If you avoid the red channel.....
It's true that you can get great tones at bedroom volumes with the 40 but there's definitely some extra mojo once the volume gets to 6-7. Quite possibly the 100 is the same - dunno.
A while back it was all the rage to put a nylon nut on LPs because 'bursts came with them. So I did. You can't get 6/6 nylon anymore - one of the components was a carcinogen and was banned. I think what I used was 6/8 which is the modern equivalent. I just got a sample piece from a plastics...
Something I've noticed in life is that the true geniuses are usually humble - it's the wannabes that gob off all the time.
On the subject of his playing if there is a secret secret to being a great player as I've long suspected it's the amount of attention lavished on each note that makes the...
I suddenly regret my post above. When I saw him ( not 25 miles from his house) he had the 2 DSLs, a couple of rats and some kind of delay. I'm sure he could've had any amp he wanted.
Anyway he sounded exactly like Jeff Beck. I also read an article by his tech for that series of concerts who said...
Did a proper check and it wasn't the preamp it was a power tube - also a groove tube. Took it out and it was rattling. Put another one in and the crackling stopped. Weird thing is I liked the sound of the dead one.....