Separate names with a comma.
Discussion in 'Let's Talk Vintage' started by antonmergaerts, Jun 12, 2019.
how do you know how he plays?
my crystal balls told me.
That is quite true but the era BWOHM did have overdriven sounds, not extreme .
talk to your balls often
booger, you wanna touch them..hmm?
for sure not that one!!
you can do a few things there
put a Tube screamer , a Rat and pair it a an extra booster pedal and that gonna be heavy.
get a Friedman , Diezel or REVV pedals they are bad ass
Eq + booster + overdrive or distortion pedal (even a Ds-1 will i did the trick with my fiend fender amp and i was blown away how heave sound it)
option 4 send it to michael audette or make the one cable mod yourself.
Have you given up on the idea of a stock Superlead providing modern metal tone yet ?
Metallica is not modern metal tone.
EVH/VH 1 is not modern metal tone.
These are examples of "Metal" tones of 30-40 years ago.
If you want Modern Metal tone then stop playing the old Superlead and get something along the lines of an Engl.
I have a 1973 Marshall Superlead that I rebuilt and I like it very much.
But I don't play modern metal type music.
Here's a short vid of one of my young customers playing an amp I built (a Sound City 120 gut and rebuild job) who is playing along with a drum track in a modern metal style called "Grind".
A stock Marshall Superlead won't sound like this no matter what pedal you put in front of it.
This is a very tight, compressed, Hi Gain type of tone that isn't anything like what EVH or Metallica used over a whole generation ago.
This is what Modern Metal is like now:
Also, the Hiwatt DR103 under the amp cover in the background of the vid wouldn't sound like this either---- even though it's a very nice big vintage amp.
I agree, but I must say that my major with the one cable mod is in the same ballpark with my engl and my 5150iii.
I had an old 50w plexi, and if you jumper the channels and dime everything with your guitar tuned between B and D somewhere you have IMO the epitome of metal tone! Maybe more like Down than Pantera but about as much gain as I would ever want...
Add a good pedal like an OCD or and you should be able to get a bit more boost/gain depending on your need, but the straight amp will cut better in a mix imo
JVM 410 does it all.
If you're looking for the "drop tuned djent modern metal" tone, which I refer to as "knothead metal" since a large percentage of its practicioners sometimes tie their long hair up in a man bun, which is a knot, hence, "knothead", and most of them ARE knotheads anyway, then modding a vintage Marshall is something I would strongly advise against. No need to ruin a nice amp to make trash noises like that. Buy something made for that job if you actually want that tone.
If you're looking for a classic and tasteful 80s metal tone, it usually involved a Bradshaw rack, a modded amp, and certain distortion pedals. Steve Stevens used a Rat into a Plexi driving cabinets full of vintage Greenbacks to get that cranked, square wave crushing tone in the break in "Eyes Without a Face".
A big part of those signature 80s metal tones was the usage of 1/3 octave graphic equalizers to make some very distinctive and colorful tones. I highly recommend using just such a device in your own signal chain. And take the time to play with it. EQ is what differentiates the sound of many amplifiers from many other amplifiers.
well instead of the amp or pedals ,have u thought of speakers? be careful ur head might explode right now
Something different is is what you want .
YMMV depends on what you consider "metal".
Hot pickups and overdrive pedals will generally be involved. Maybe mods.
Real modern metal is digital.
First thing to ask is which version of the superlead 100w amp is it, what spec and what mods has it done before?
As David said early on no-one should mod one of these unless it is done carefully and reversibly.
They can do modern downtuned metal very well with a few tweaks, maybe not Engl or SS Peavey goosed with two tubescreamers but still......
Show us what you have got first!